I have a confession to make. For the last six months, I have been using food stamps. It’s easy, and I like it. I get $200 added to a little blue card every month, which I use like a debit card at any convenience store, supermarket, health food store, Asian market, or even farmer’s market within the state of Oregon that I please. Basically, I eat for free, so long as I don’t want to go to a restaurant or the hot food bar at the grocery store.
This might not seem like much of a confession. After all, about 20% of Oregon residents receive food benefits, and along with unemployment checks and the occasional visit to the food bank, it’s how a lot of Americans are scraping by these days. I took an Americorps job in June, and under this government-funded program, participation in SNAP (Supplemental Nutrition Assistance Program, the title that has replaced the phrase “food stamps” in government-speak) is all but expected. With my initial paperwork, I was given a letter addressed to the local branch of the Department of Human Services, which administers food benefits. To paraphrase, it said “Tuula works for Americorps now. We don’t actually pay her a living wage. Sign her up for food stamps, stat.” Everyone I worked with got the same form, and one-by-one, we trudged down to the DHS office, answered a couple of basic questions about our living expenses, and were handed the magical blue cards.
I remember sitting in my car in the parking lot outside the building, trying to adjust my frame of mind enough to allow myself to go in. Like a lot of people in this country, especially those with immigrant families who lived out some version of the American Dream, I considered accepting any form of federal welfare to be right down there with begging on the street corner. As I sat watching the rain dripping down my windshield, contemplating the course of my life, I started feeling very sorry for myself. Don’t I have a college degree? I wondered. How did I get here? What have I done wrong? Then I remembered: I wanted this. I wanted to do the low-paying, environmental, non-profit, social-service work. It makes me feel good. Besides, the economy is falling apart. I’m lucky to have a job of any kind, and it’s not like I’ll be a welfare bum forever. I pulled my jacket hood over my head, grabbed my letter, and went out into the rain.
That was six months ago. My Americorps term of service up, but I’m still on SNAP as I job search and try to avoid moving in with my parents. As difficult as it was to take the dink to my pride, I’m glad I did it. Not only did having my food bill taken care of allow me to save money while earning less than minimum wage from Americorps (another valuable experience), it also gave me some insights into the economics and geography of how we eat.
Because the SNAP card works exactly like a debit card would, it took me a while to notice any changes in my food buying habits. In fact, using EBT is quite discrete – at the store, they ring up your groceries, you swipe your card, selecting “EBT” instead of “debit/credit”, enter your PIN, take your receipt (which gives you the balance left for that month) and you’re on your way. As someone with a lot of initial guilt and shame surrounding the use of food stamps, I was grateful for this hassle-free process. I didn’t stand out.
That was the grocery store. The farmers market was a different story. After I found out that I could use my EBT card at the Lane County Farmers Market (for some reason, they don’t really advertise this feature), I took the next beautiful Saturday afternoon to stroll downtown with my grocery bag and pick out some fresh, organic veggies. I met my friend Tara, a fellow Americorps member, there. First, we had to visit a little booth, crammed between tables overflowing with produce, where a woman ran $10 off the balance of our cards (they do it in $5 increments) and gave us each ten wooden tokens that she said could be exchanged dollar-for-dollar at any of the farmer’s stands. Unfortunately, she told us, we couldn’t receive change in cash, so if we bought something for 50 cents, we would have to hand over a whole token. We started elbowing our way through the market throngs, and I found some carrots and a basket of strawberries, handed over five tokens, and didn’t get hassled. Tara, on the other hand, just wanted strawberries, and went to a different farmer for them. When she tried to pay, though, the woman behind the table frowned.
“Can you pay with something else?” she asked. “We get charged a fee to exchange those.” In the busy scuffle of the market, Tara didn’t feel like putting up a fight and holding up the line, so we dug through our pockets to produce some change. The woman didn’t seem much happier about the pile of nickles, dimes and quarters she provided, but what did she expect? As Tara pointed out on the walk home, if we had the option to pay some other way, we wouldn’t be on food stamps.
The more I thought about it, the more it irritated me. The whole point of SNAP is to reduce some of the inequity in our food system and give low-income people such as ourselves the option to eat fresh and nutritious food. If farmer’s markets charge their vendors a fee to accept their version of EBT, and farmers are reluctant to sell to individuals using the system, the whole point of the program is lost. I stuck the other five tokens in my purse, where they are still, because the next time I went to the farmers market I forgot to bring them. Clearly, this system needs some work.
But I didn’t shop much at the farmers market this summer anyway. I tried to keep from using my own cash for food and keep my monthly grocery bill within the allotted $200, which was easy as long as I didn’t spring for such items as $3.50 baskets of local strawberries (or meat, which I don’t normally eat anyway). I still bought mostly organic, but local foods were out of my price range. I also found myself cooking a lot more. I couldn’t justify the expense of eating out when I had free food at home, and I also knew that if I spent my food benefits on frozen pizzas and prepared deli items, my account would be empty a lot sooner than if I bought the raw ingredients. Without kids to take care of and clean up after, or a second job to pay a mortgage or whatever, I had the time for this (although, living alone, I got pretty tired spending every evening at home in front of the stove). Of course, if I did have other responsibilities in my life, the quality of what I was eating wouldn’t be nearly as good as it was. Also, I would need more than $200 per person, especially if there were meat-eaters in the family.
So if you’re busy, and you don’t earn much money, participating in the SNAP program makes a lot of sense. Only problem is, most people are much more likely to use food stamps to buy fattening, unhealthy foods that are cheap and easy to prepare. The result? People on SNAP are much more likely to be overweight or obese than those who aren’t, according to some scientists.
Thinking more about grocery transactions recently has also helped me notice where various food outlets are placed. I usually shop at small natural-foods stores, which are concentrated around the center of town where housing and businesses cater to those in the upper income levels. Head toward the outskirts of the city, and you won’t find those cozy shops stuffed with bulk foods, fresh veggies and organic cheese. In fact, even the large grocery chains start dropping off, and for every Albertson’s or Safeway you’ll find three or four Dari-Marts, 7-11s, or Circle-Ks, all variations on the convenience store theme. I notice them because the changeable-letter signs often advertise “We take EBT”. For what, though? Doritos, candy, soft drinks, maybe some milk, eggs or boxed mac-and-cheese. So if you live in one of those neighborhoods, and maybe you don’t have a car, or the ability to bus into town to visit another store, what are your options?
I’m not the first person to notice this phenomenon, and much has been said about the problem of “food deserts” in both rural and urban areas. One proposal that keeps coming up is to not allow the purchase of high-calorie, low-nutrition foods under SNAP. As it currently stands, you can buy pretty much any food item in the grocery or convenience store using your food benefits. The federal SNAP website details what does and does not apply as “food” under the program. Among the things that don’t count: Alcohol, personal care items, vitamins, and live animals (No buying a catfish to fatten up in your living room, sorry). Twinkies, Velveeta and Kool-Aid do count, although most people would probably agree that they have few nutritional differences from toothpaste. The problem is, as SNAP argues in a report, that there would simply be too much administration involved in fine-tuning the definition of “food” to exclude “junk food”. And you know that food processors would find ways around the law if they did, fortifying their products until they met the minimum nutritional requirements.
In the interest of balancing out the junk food eligible for purchase under SNAP, the USDA implemented a program in 2007 that allows farmers markets to accept food stamps. Of course, this doesn’t address the underlying issue of the cost of fresh, locally produced food, so, in some states, other organizations have stepped in to offer subsidies to low-income farmers market shoppers. Still, less than 0.01% of all federal SNAP dollars were spent at farmers markets last year.
Another little-known fact about SNAP is you can also use food benefits to buy seeds for your garden. It’s another nice thought, but one that probably hasn’t been very popular. A lot of the low-income kids I met through the Americorps job this summer hadn’t ever eaten a fresh tomato before. If their parents aren’t buying this kind of stuff, the chances are even lower than they’ll want to grow it themselves.
So SNAP isn’t doing much to improve the health of low-income people in this country, but it probably isn’t the root of the problem, either. Regardless of how you pay for it, cheap, processed, and unhealthy food will always be an option, and more so if you live in a low-income neighborhood. It would be senseless to force stores in these areas to carry fresh produce that would probably just rot in the coolers. There’s an underlying issue here that needs to be addressed: the cycle of poverty and poor diet. If people didn’t grow up eating something, they aren’t usually going to start eating it as adults, and since poverty tends to persists through generations, it also defines the dietary habits of a large segment of the population. So you can make good food affordable, but that doesn’t mean it will replace bad food pound for pound. There’s also the issue of convenience. After working a double shift, your average single mother will probably be more willing to microwave a hot pocket than chop a salad.
Can we ever take fresh, local fruit and vegetables out of the domain of the well-off and align American food values along the lines of apples, not apple pie? Sure. I forgot to mention the steady, free source of local and organic vegetables that I relied on through my summer and fall of being on SNAP: the farm where I worked. When growing food is part of what you do for a living, you’re guaranteed nothing but to eat fairly decently. In fact, for most of human history, people made their living as farmers, and poor folks like me lived off potatoes, greens, fresh eggs, and fruit from the trees. We grew it ourselves. The rich gorged on lard, sugar and beef, got fat, and died of heart disease. Now the tables have turned. Over 70% of Americans are overweight or obese, and I would bet that most of them are currently on or have been on food stamps.
What we need is re-education, and the beginnings of it already exist. The best example I can think of is Farm to School, which takes kids on field trips out of the classroom to farms and also brings fresh food to them in the cafeteria. There’s also the Women, Infants and Children (WIC) program, similar to SNAP except with much stricter rules about what can be purchased, and it’s only available to mothers with children under five. It also has a fairly decent website with nutrition information and cooking tips, although it gets a bit patronizing (“Did you know that fruits and vegetables are naturally low in calories?” No waaay...)
As for me, I look forward to one day having the financial freedom to put my toothpaste, beer and bananas on the same piece of plastic. Maybe the fact that I have successfully used food stamps without packing on a layer of winter fat says something, but I think the average person on SNAP has a lot more hurdles to jump than I on the way to healthy living. Let’s fix our food system first, the one that pushed high-calorie diets on low-income people, and maybe we can all eat a bit fresher.
Find a farmer's market that accepts SNAP or WIC here.
Showing posts with label Eugene. Show all posts
Showing posts with label Eugene. Show all posts
Wednesday, December 29, 2010
Tuesday, May 26, 2009
Oregon Local Foods part 2: What’s for dinner?
Cassava root. Salmonberry. Black Republican cherries.
Never heard of them? There’s probably a reason for that – they are all edible plants native to the Willamette Valley here in Oregon. At one time, native Oregonians (from the Kalapooia and other tribes) ate cassava like we eat French fries today. Berry bushes in hundreds of varieties provided a wild harvest to anyone who knew how to tell a delicious snack from a bellyache. The black Republican cherry tree was introduced as a commercial crop in 1860, producing a plum-like fruit that was known throughout the Northwest.
Today, the cassava is protected as one of the few remaining indigenous plants in the area, our berry diet is limited to the two or three varieties that accompany peanut butter in sandwiches, and the words “black Republican” only bring to mind awful jokes.
But the irony is more immediate than that. Faced with a food culture that has been completely commodified, stripped of all regional identity and packed into neat little boxes (salmon burger, anyone?), chefs and food aficionados around the Willamette Valley are scratching wildly, looking for dishes that we can claim and incorporate into a distinctive local cuisine. I feel their pain – the lack of “American” food, leave alone Oregonian or Pacific Northwestern food is something I’ve long failed to understand. Once, a friend and I brainstormed an entire afternoon trying to think of something to cook for Saudi Arabian friends coming over for an authentic American dinner. We ended up making enchiladas. Close enough –as long as our guests never find their way south of the border.
It’s not that we don’t have material to work with in this region. Heirlooms like the black Republicans, including apple, pear and nut trees, as well as a varieties of beans, vegetables and berries, have been cultivated here since the first white settlers set up camp. The sense of local pride that has evolved around these crops is revealed in some of their names: Gramma Walters bean; Oregon Champion gooseberry. Because they are for one reason or another not commercially viable (delicate fruit, short shelf life, inconsistent production), many are in danger of extinction. Today, only a few, very old black Republican trees survive in the Eugene area and nowhere else, according to a book compiled by Gary Paul Nabhan, a well known ecologist and localization writer. The loss of heirloom varieties would be a blow to local agriculture, not just for cultural reasons but also because locally adapted crops tend to be hardier, better suited to the climate and soil conditions and thus less likely to need chemical inputs to thrive.
Anyway, anyone trying to establish a regional cuisine in Oregon has my full support, especially given some of the difficulties involved. Salmon is no longer an obvious choice for any of the Pacific Northwest. Gary Nabhan splits North America into distinct bioregions based on indigenous food traditions, and names this corner of the continent Salmon Nation. I support the idea behind this effort, but wish we could move beyond this beleaguered fish for its basis. One species is limited as a basis for an entire cuisine, and nobody with an ounce of ecological awareness would (or should) be caught dead eating anything but wild-caught salmon, whose numbers are swiftly dwindling anyway. In addition, any food trend that might eventually filter its way down to the masses (ie broke college students who find cooking an enjoyable form of productive procrastination) must be affordable, but most restaurants that attempt to differentiate their fare from that of Seattle or Portland tend to be in the price range of middle-aged urbanites with real jobs. In this economy, that leaves out roughly half of the population. (Really, though: the poverty rate in the Eugene area is higher than the state average, and Oregon is now has the second-highest unemployment rate in the nation.) Although the efforts of local chefs to get us to eat seasonally and locally with braised lamb in wild mushroom sauce are admirable, they aren’t the American’s South’s cornbread and grits. That is, you won’t see many of us switching from ramen-based diets anytime soon. As I mentioned in the previous post, the industrial food system has gotten most people used to food made from two or three major plants plus meat. It’s cheap and childishly easy to prepare (or pick up at the drive-thru window). Some serious re-education is in order before we can even think about preparing regionally based foods.
That said, I do see some adventurous farmers and blogger/cooks in the area making steps in these directions, first making the food available and then showing people that it’s not rocket science to put it together. Farmers near Corvallis are making serious efforts to reintroduce bean and grain production in the Willamette Valley; one Eugene-based blog has a recipe for black bean brownies. Is that the smell of synergy baking?
I’m not suggesting that Oregon farmers abandon all commodity crops for fields of waving cassava and garbanzos. After all, grass seed production generates $1.6 billion in economic activity in the state, and how else would every suburban home be able to cultivate an overwatered green monoculture without these farmers? Plus, other forms of agriculture are just way too much work, and since there simply aren’t enough illegal immigrants to go around, who will do it? On the other hand, small, organic farms have been shown to provide more ecosystem-like benefits while being more productive per acre than huge operations. And aren’t we facing something like a global food crisis? Wouldn’t it make more sense to give up just a few of those acres for diversified food production rooted in local traditions that we can all take pride in?
It’s all too confusing for me. I think I’ll just head to the kitchen to see if I can make black bean brownies that look as good as the picture on that blog. I only wish I had some black Republican cherry ice cream to put on top of them.
Never heard of them? There’s probably a reason for that – they are all edible plants native to the Willamette Valley here in Oregon. At one time, native Oregonians (from the Kalapooia and other tribes) ate cassava like we eat French fries today. Berry bushes in hundreds of varieties provided a wild harvest to anyone who knew how to tell a delicious snack from a bellyache. The black Republican cherry tree was introduced as a commercial crop in 1860, producing a plum-like fruit that was known throughout the Northwest.
Today, the cassava is protected as one of the few remaining indigenous plants in the area, our berry diet is limited to the two or three varieties that accompany peanut butter in sandwiches, and the words “black Republican” only bring to mind awful jokes.
But the irony is more immediate than that. Faced with a food culture that has been completely commodified, stripped of all regional identity and packed into neat little boxes (salmon burger, anyone?), chefs and food aficionados around the Willamette Valley are scratching wildly, looking for dishes that we can claim and incorporate into a distinctive local cuisine. I feel their pain – the lack of “American” food, leave alone Oregonian or Pacific Northwestern food is something I’ve long failed to understand. Once, a friend and I brainstormed an entire afternoon trying to think of something to cook for Saudi Arabian friends coming over for an authentic American dinner. We ended up making enchiladas. Close enough –as long as our guests never find their way south of the border.
It’s not that we don’t have material to work with in this region. Heirlooms like the black Republicans, including apple, pear and nut trees, as well as a varieties of beans, vegetables and berries, have been cultivated here since the first white settlers set up camp. The sense of local pride that has evolved around these crops is revealed in some of their names: Gramma Walters bean; Oregon Champion gooseberry. Because they are for one reason or another not commercially viable (delicate fruit, short shelf life, inconsistent production), many are in danger of extinction. Today, only a few, very old black Republican trees survive in the Eugene area and nowhere else, according to a book compiled by Gary Paul Nabhan, a well known ecologist and localization writer. The loss of heirloom varieties would be a blow to local agriculture, not just for cultural reasons but also because locally adapted crops tend to be hardier, better suited to the climate and soil conditions and thus less likely to need chemical inputs to thrive.

Anyway, anyone trying to establish a regional cuisine in Oregon has my full support, especially given some of the difficulties involved. Salmon is no longer an obvious choice for any of the Pacific Northwest. Gary Nabhan splits North America into distinct bioregions based on indigenous food traditions, and names this corner of the continent Salmon Nation. I support the idea behind this effort, but wish we could move beyond this beleaguered fish for its basis. One species is limited as a basis for an entire cuisine, and nobody with an ounce of ecological awareness would (or should) be caught dead eating anything but wild-caught salmon, whose numbers are swiftly dwindling anyway. In addition, any food trend that might eventually filter its way down to the masses (ie broke college students who find cooking an enjoyable form of productive procrastination) must be affordable, but most restaurants that attempt to differentiate their fare from that of Seattle or Portland tend to be in the price range of middle-aged urbanites with real jobs. In this economy, that leaves out roughly half of the population. (Really, though: the poverty rate in the Eugene area is higher than the state average, and Oregon is now has the second-highest unemployment rate in the nation.) Although the efforts of local chefs to get us to eat seasonally and locally with braised lamb in wild mushroom sauce are admirable, they aren’t the American’s South’s cornbread and grits. That is, you won’t see many of us switching from ramen-based diets anytime soon. As I mentioned in the previous post, the industrial food system has gotten most people used to food made from two or three major plants plus meat. It’s cheap and childishly easy to prepare (or pick up at the drive-thru window). Some serious re-education is in order before we can even think about preparing regionally based foods.

I’m not suggesting that Oregon farmers abandon all commodity crops for fields of waving cassava and garbanzos. After all, grass seed production generates $1.6 billion in economic activity in the state, and how else would every suburban home be able to cultivate an overwatered green monoculture without these farmers? Plus, other forms of agriculture are just way too much work, and since there simply aren’t enough illegal immigrants to go around, who will do it? On the other hand, small, organic farms have been shown to provide more ecosystem-like benefits while being more productive per acre than huge operations. And aren’t we facing something like a global food crisis? Wouldn’t it make more sense to give up just a few of those acres for diversified food production rooted in local traditions that we can all take pride in?
It’s all too confusing for me. I think I’ll just head to the kitchen to see if I can make black bean brownies that look as good as the picture on that blog. I only wish I had some black Republican cherry ice cream to put on top of them.
Tuesday, March 3, 2009
Art exhibition review: "Juxtaposed"
Not the Same:
“Juxtaposed” at the Maude Kerns Art Center
Machine parts and moss.
Alarm and absurdity.
Substance and empty space.
What do the above items have in common? Nothing – that’s the point. They’re juxtaposed, internally conflicted. Or are they?
This is not a question ripe for answering, but for a visual aid, visit the Maude Kerns Art Center between now and March 20th and take in its main exhibit, “Juxtaposed.” The sculptures and installations on display are from six artists – three of them local to Eugene – who are fond of consciously positioning unlike objects and ideas side by side. Each unique, provocative piece on display explores the tensions that tend to make viewers most uncomfortable, encouraging comparisons that are sometimes humorous, sometimes disturbing.
The Maude Kerns itself is a bit of an anomaly among Eugene's art galleries. Housed in an old church in a residential district, the non-profit Art Center has a folksiness and approachability that defies the cold glass exteriors of downtown’s art halls. With classes and lectures happening regularly and studios just next door, the venue prides itself in its ability to engage the whole community in art.
The journey through “Juxtaposed” may start from any of three entrances – another quirky feature of the converted building is the lack of a definitive main door. Visitors wandering in from the street side, however, will first confront Gerrit Van Ness’ installation “Campaign Trail,” a cynical take on the American elections process. The piece invokes the game of Candyland with lollipops, bright colors, and giant walking feet following a path – one made of dollar signs. Van Ness’ other works in the exhibit take jabs at Wal-Mart, bureaucracy and hypocrisy in general. Each piece functions as a 3-D, pop-art political cartoon, though most lack the biting cleverness that can be found in the editorial pages. And with the Bush Era over and an economic crises at hand, Van Ness’ lingering outrage over stolen votes and corporate profits feels a bit passé.
Better to enter the exhibition from the other end, where “Judging the Heart,” a site-specific installation by artist Mike Walsh, compares ancient and modern-day conflicts in the Middle East. The four boxes, or “Gates,” contain representational artifacts of ancient Egypt as well as modern-day maps of the region. Faces of soldiers are stenciled, ghostlike, on the glass, and the last box houses an image of George Bush. However, this political reference, in contrast to that made by Van Ness, speaks poignantly to the endlessness of war and the difficulty of measuring morality. Vertical ladders between the boxes possibly indicate an exit route in each stage of history.
The two pieces by James O’Keefe also approach serious subjects – nothingness and insanity – but do so with interactive whimsy, social commentary lurking just beneath the surface. “Psychological Storage Unit” is the quintessential impractical business model: Insert a quarter in the slot, the ramshackle cart instructs with stenciled lettering, and then write your psychological hang-up of choice on no more than three sheets of paper. Return for the problem later or just leave it behind. Psychoses already packed away are evidenced by the dozens of boxes, drawers and containers stacked on the cart, with labels like “illusions,” “violent thoughts,” and “panic attacks.” Metamorphosed by their kooky setting, these conditions become infinitely less frightening.
Here’s a juxtaposition: Next to O’Keefe’s fanciful construction is John Paul Gardner’s modernistic installation “Boundary.” A single set of parallel red fishing lines beam across the stage at the end of the room, creating a tension between movement and solid walls. “Range 1-4,” Gardener’s series of drawings also on display, capture the same effect with less drama.
Also working with the idea of flatness and dimensionality is Afrikaner sculptor Andries Fourie. His piece “The Carrion Eaters” is plantlike in form, with metal plates bearing silkscreened images – including a human heart, carnivores, a slingshot and a windmill – reaching out on solid vines. “Talking to Mr. Bhengu About Cattle” employs another metal plate along with a wood frame, a meat grinder, and a water faucet. This and Fourie’s third work on display, a frayed jacket hung with metal keys, defy interpretation. Perhaps the juxtaposition invoked here is that between logic and artistic inspiration.
The artist with the most work on display in this exhibition is Jud Turner, whose found object sculptures incorporate the contradictions between nature and technology; past and present. Witness a tree growing out of jumbled engine parts, a zeppelin strung from clouds and a machine that incorporates a human femur. Turner’s Artist Statement is almost as interesting as his art, describing how an exploration of quantum physics led to his fascination with dichotomies. “I have many ideas for sculptures roaming around in my imagination,” it reads, “but only those that operate on multiple levels of meaning and visual satisfaction are featured in the physical world.”
Visual satisfaction may, at times, take precedence over meaning in “Juxtaposed,” but the artists do aptly define and explore the theme, each making a unique contribution to the well-executed exhibit. By placing together objects and ideas of unequal stature, they demystify one while bringing new meaning to the other. Ultimately, out of disorder comes order, these reactions creating a sense of the grand congruency of the universe.
“Juxtaposed” at the Maude Kerns Art Center
Machine parts and moss.
Alarm and absurdity.
Substance and empty space.
What do the above items have in common? Nothing – that’s the point. They’re juxtaposed, internally conflicted. Or are they?
This is not a question ripe for answering, but for a visual aid, visit the Maude Kerns Art Center between now and March 20th and take in its main exhibit, “Juxtaposed.” The sculptures and installations on display are from six artists – three of them local to Eugene – who are fond of consciously positioning unlike objects and ideas side by side. Each unique, provocative piece on display explores the tensions that tend to make viewers most uncomfortable, encouraging comparisons that are sometimes humorous, sometimes disturbing.
The Maude Kerns itself is a bit of an anomaly among Eugene's art galleries. Housed in an old church in a residential district, the non-profit Art Center has a folksiness and approachability that defies the cold glass exteriors of downtown’s art halls. With classes and lectures happening regularly and studios just next door, the venue prides itself in its ability to engage the whole community in art.
The journey through “Juxtaposed” may start from any of three entrances – another quirky feature of the converted building is the lack of a definitive main door. Visitors wandering in from the street side, however, will first confront Gerrit Van Ness’ installation “Campaign Trail,” a cynical take on the American elections process. The piece invokes the game of Candyland with lollipops, bright colors, and giant walking feet following a path – one made of dollar signs. Van Ness’ other works in the exhibit take jabs at Wal-Mart, bureaucracy and hypocrisy in general. Each piece functions as a 3-D, pop-art political cartoon, though most lack the biting cleverness that can be found in the editorial pages. And with the Bush Era over and an economic crises at hand, Van Ness’ lingering outrage over stolen votes and corporate profits feels a bit passé.
Better to enter the exhibition from the other end, where “Judging the Heart,” a site-specific installation by artist Mike Walsh, compares ancient and modern-day conflicts in the Middle East. The four boxes, or “Gates,” contain representational artifacts of ancient Egypt as well as modern-day maps of the region. Faces of soldiers are stenciled, ghostlike, on the glass, and the last box houses an image of George Bush. However, this political reference, in contrast to that made by Van Ness, speaks poignantly to the endlessness of war and the difficulty of measuring morality. Vertical ladders between the boxes possibly indicate an exit route in each stage of history.
The two pieces by James O’Keefe also approach serious subjects – nothingness and insanity – but do so with interactive whimsy, social commentary lurking just beneath the surface. “Psychological Storage Unit” is the quintessential impractical business model: Insert a quarter in the slot, the ramshackle cart instructs with stenciled lettering, and then write your psychological hang-up of choice on no more than three sheets of paper. Return for the problem later or just leave it behind. Psychoses already packed away are evidenced by the dozens of boxes, drawers and containers stacked on the cart, with labels like “illusions,” “violent thoughts,” and “panic attacks.” Metamorphosed by their kooky setting, these conditions become infinitely less frightening.
Here’s a juxtaposition: Next to O’Keefe’s fanciful construction is John Paul Gardner’s modernistic installation “Boundary.” A single set of parallel red fishing lines beam across the stage at the end of the room, creating a tension between movement and solid walls. “Range 1-4,” Gardener’s series of drawings also on display, capture the same effect with less drama.
Also working with the idea of flatness and dimensionality is Afrikaner sculptor Andries Fourie. His piece “The Carrion Eaters” is plantlike in form, with metal plates bearing silkscreened images – including a human heart, carnivores, a slingshot and a windmill – reaching out on solid vines. “Talking to Mr. Bhengu About Cattle” employs another metal plate along with a wood frame, a meat grinder, and a water faucet. This and Fourie’s third work on display, a frayed jacket hung with metal keys, defy interpretation. Perhaps the juxtaposition invoked here is that between logic and artistic inspiration.
The artist with the most work on display in this exhibition is Jud Turner, whose found object sculptures incorporate the contradictions between nature and technology; past and present. Witness a tree growing out of jumbled engine parts, a zeppelin strung from clouds and a machine that incorporates a human femur. Turner’s Artist Statement is almost as interesting as his art, describing how an exploration of quantum physics led to his fascination with dichotomies. “I have many ideas for sculptures roaming around in my imagination,” it reads, “but only those that operate on multiple levels of meaning and visual satisfaction are featured in the physical world.”
Visual satisfaction may, at times, take precedence over meaning in “Juxtaposed,” but the artists do aptly define and explore the theme, each making a unique contribution to the well-executed exhibit. By placing together objects and ideas of unequal stature, they demystify one while bringing new meaning to the other. Ultimately, out of disorder comes order, these reactions creating a sense of the grand congruency of the universe.
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